Guest Collaborators

EBE OKE (Composer, He/Him) is a composer and interdisciplinary artist working across sound, performance, painting, composition and visual art. Their formative years on a bird sanctuary in South Georgia (US) underpin a practice that foregrounds non-human perspectives and interrogates the structures that govern identity, access, and inclusion. Ebe’s work draws on overlooked sensory registers—such as the choreographies of animal and plant life, and the tonal language of machines and birdsong—to surface forms of resonance and affective traces that move between species and systems. These expressions invite shifts in perception and offer openings for new forms of attention, relation, and ecological attunement. Ebe’s practice has evolved through a bespoke education, including composition lessons with Karlheinz Stockhausen, and mentorships and collaborations with artists such as AA Bronson, Brian Eno, and Laurie Anderson.

Their work has been presented internationally at venues including Tate St Ives, the Serpentine Gallery in London, The Kitchen and Pioneer Works in New York, Punkt Festival in Norway, Art Basel in Switzerland, Dommune in Tokyo, and most recently, the Biogeometry Institute for the Museum of Consciousness in Cairo, Egypt.  Ebe’s debut album, SPECIES, explores themes of identity, healing, and non-human perspectives, featuring processed bird and insect sounds woven with precise programming, string arrangements, and treated vocals. Other works include FIELD, commissioned by AA Bronson for a multi-sensory installation, and DOKUMENT #2, a collaborative live album with Laurie Anderson and Brian Eno, released as limited edition vinyl in 2020. Ebe collaborates with the tech startup Wavepaths, which integrates generative music into psychedelic psychotherapy, and is currently a composer in residence at EMS in Stockholm. 

​

DIEGO VEGA SOLORZA (Choreographer, He/Him) is a dancer, choreographer, and co-director of Trazo: Dance and Space Cycle, a platform aimed at making dance more visible in Mexico by bringing it to architectural spaces beyond the traditional stage. Born in Los Mochis, Sinaloa, he began his training in 2010 in Hermosillo under the direction of Miguel Mancillas and Isaac Chau. In 2014, he joined the artistic program at Danscentrum Jette in Brussels, and a year later, he settled in Mexico City, where he has become one of the most relevant figures in contemporary dance. His artistic approach challenges the historical codes of dance in Mexico, using research as a central tool. For him, dance heritage is not a limitation but a starting point for expansion and new possibilities.

His work integrates architecture, video, photography, fashion, painting, and sculpture to broaden the perception of contemporary dance and propose new ways of inhabiting it. He has presented his work in theaters, alternative spaces, galleries, and museums across Mexico, the United States, China, Sweden, Brazil, Ecuador, Colombia, Japan, France, Italy, and Spain. Among the institutions and platforms that have showcased his work are museums, festivals, and independent venues that have supported the consolidation of his unique stage language. His career positions him as an active agent in redefining the body, movement, and choreography within visual and performing culture, contributing to the creation of new landscapes for contemporary dance in Mexico.